Masterwork

Drawing from the visual language of Pablo Picasso, this piece reimagines Charles I in Three Positions by Anthony van Dyck through a distinctly Cubist lens. While preserving van Dyck’s original triadic composition, the figures are reconstructed with fractured planes, abstracted facial features, and dynamic linework that echo the principles of Analytic and Synthetic Cubism. Executed digitally, the work fuses Baroque portraiture with early 20th-century abstraction, creating a deliberate intersection between two influential artistic legacies.